Viennese Waltz 52-58 mpm
Bronze
1. Reverse Turn
2. Natural Turn
3. Forward Change
4. Backward Change
Silver
5. Reverse Fleckeral
Gold
6. Natural Fleckeral
7. Contra Check
The Waltz is a dance performed to music with three beats to the bar. This means
that if a step is taken on each beat, then each bar starts with the opposite
foot to that of the previous bar. This can be a source of great difficulty for
the beginner, but when mastered gives the dance a delightful romantic lilt.
The first record of a dance to 3/4 rhythm is a peasant dance of the Provence
area of France in 1559, as a piece of folk music called the Volta, although the
Volta has also been claimed to be an Italian folk dance at this time. The word "volta"
means "the turn" in Italian. Thus, even in its earliest days, the dance appears
to have involved the couple turning as they danced.
During the 16th Century, the Volta became popular in the royal courts of Western
Europe. Arbeau describes it as like a Galliard (done to 3/2 music) but done to
slow 6/4 music. Actually both it and the Galliard had 5 steps to 6 beats (and
hence also alternated feet in alternate measures). The Volta required the
partners to dance in a closed position but with the lady to the left of the man!
The man held the lady about the waist, and the lady put her right arm on the
man's shoulders, and held her skirt with her left. This was necessary to stop it
flying up, because the dance involved the man lifting the lady using his left
thigh under the lady's right thigh.
A famous illustration of this dance is a contemporary painting said to be of
Elizabeth I of England dancing the Volta with the Earl of Leicester, being
lifted in the air by her partner (at Penshurst Place, Kent). This ascription is
probably facetious, as the painting appears to be from the French Valois court.
The Volta appears to be similar to a present day Norwegian Waltz folkdance. As
in any turning dance, as the couple perform their step around their partner,
they have to take a larger than usual step to get from one side of their partner
to the other. In this Norwegian Waltz, the man assists the lady to do this by
lifting her into the air as she takes this step (thus neatly accommodating the
general difference in leg length of the partners).
In order to do this in the Volta, the partners had to hold each other in such a
close embrace that many declared it immoral. Louis XIII (1601-1643) had it
banned from court on this account. Thus although the Volta may have originally
been in 3 time, it evolved to be in 5 time.One of the first published dances in
3 time was "Hole in the Wall" published by Playford in 1695. In 1754 the first
music for the actual "Waltzen" appeared in Germany. Any connection between the
Waltzen and the Volta remains obscure, except that the word "Waltzen" in German
also means "to revolve".
In 1799 Arndt wrote that "the dancers grasped the long dresses so that it would
not drag or be trodden upon, and lifted it high holding them like a cloak which
brought both bodies under one cover, as closely as possible against them" Thus
the Waltzen also attracted moral criticism, with Wolf publishing a pamphlet in
1797 entitled "Proof that Waltzing is a main source of weakness of he body and
mind of our generation".
Nevertheless, the dance became very popular in Vienna, with large dance halls
being opened to accommodate the craze: Zum Sperl in 1807, and the Apollo in 1808
(said to be able to accommodate 6000 dancers). In 1812 the dance was introduced
into England under the name of the German Waltz. It caused a great sensation,
and Lord Byron when he first saw it, found his lady friend clasped closely by "a
huge hussar-looking gentleman, turning round and round to a confounded see-saw,
up-down sort of turn like two cockchafers spitted on the same bodkin".
Through the 19th Century, the dance stabilised, and was further popularised by
the music of Josef and Johann Strauss. Currently, the Viennese Waltz is danced
at a tempo of about 180 beats per minute, with a limited range of figures:
Change Steps, Hesitations, Hovers, Passing Changes, Natural and Reverse Turns,
(travelling or on the spot as Fleckerals), and the Contracheck.